{"id":417,"date":"2020-11-02T14:46:52","date_gmt":"2020-11-02T11:46:52","guid":{"rendered":"https:\/\/www.arimigdis.com\/?p=417"},"modified":"2020-12-24T08:51:36","modified_gmt":"2020-12-24T05:51:36","slug":"dijital-tiyatro","status":"publish","type":"post","link":"https:\/\/www.arimigdis.com\/en\/2020\/11\/02\/dijital-tiyatro\/","title":{"rendered":"Digital Theatre"},"content":{"rendered":"

Ge\u00e7ti\u011fimiz g\u00fcnlerde belki de salg\u0131n s\u00fcrecinde kat\u0131ld\u0131\u011f\u0131m onca seminer -webinar- aras\u0131nda beni i\u00e7ine en \u00e7ok \u00e7eken etkinli\u011fe (!) -tiyatro- kat\u0131ld\u0131m. <\/p>\n\n\n\n

Bir dijital tiyatro.<\/p><\/blockquote><\/figure>\n\n\n\n

\"Tiyatro
Fahrenheit 451 – Dijital Tiyatro<\/figcaption><\/figure>\n\n\n\n

Bu bir tiyatroydu<\/em>, her ne kadar etkinlik demek istemesem de galiba \u00e7evrim i\u00e7i ge\u00e7irdi\u011fimiz s\u00fcre\u00e7 buna sebep oluyor. O y\u00fczden “dijital tiyatro<\/em>” demeyi tercih ediyorum.<\/p>\n\n\n\n

Tiyatro > Dijital Tiyatro<\/h2>\n\n\n\n

Biletlerimizi -izleme kodlar\u0131m\u0131z\u0131-<\/em> ald\u0131k, o klasik k\u0131rm\u0131z\u0131 perdenin –bilgisayar ekran\u0131n\u0131n<\/em>– ba\u015f\u0131na ge\u00e7tik, tiyatro sandalyelerimize –evimizin koltu\u011funa<\/em>– oturduk ve oyunun keyfini \u00e7\u0131karmaya ba\u015flad\u0131k. \ud83d\ude42 S\u00fcre\u00e7 k\u0131saca b\u00f6yleydi. Kim bilir yaz\u0131l\u0131m canavar\u0131<\/a> belki tiyatroyu da i\u00e7ine alacak.<\/p>\n\n\n\n

Oyun, distopik roman edebiyat\u0131n\u0131n en \u00f6nemli eserlerinden olan Ray Bradbury’nin 1953’de kaleme ald\u0131\u011f\u0131 “Fahrenheit 451<\/a>” eserinin tiyatro uyarlamas\u0131yd\u0131. Kitab\u0131n\u0131 zevkle okuduktan sonra oyununun da sahnelendi\u011finin haberini al\u0131nca, hi\u00e7 d\u00fc\u015f\u00fcnmeden oyunu seyretmek istedim.<\/p>\n\n\n\n

\"Fahrenheit<\/a><\/figure><\/div>\n\n\n\n

Oyunu seyretmeyi<\/a> d\u00fc\u015f\u00fcn\u00fcyorsan\u0131z \u00f6ncesinde veya sonras\u0131nda kitab\u0131n\u0131<\/a> da okuman\u0131z\u0131 \u00f6neririm.<\/p>\n\n\n\n

Tiyatro Hissiyat<\/h3>\n\n\n\n

Her tiyatroya gitti\u011fimde, tabi salg\u0131ndan \u00f6nce, perde a\u00e7\u0131lmadan \u00f6nce i\u00e7imde bir heyecan olur. O heyecan\u0131 ya\u015fad\u0131\u011f\u0131m\u0131 hissettim. Oyun ba\u015flad\u0131\u011f\u0131nda t\u0131pk\u0131 normal internet canl\u0131 yay\u0131nlar\u0131nda oldu\u011fu gibi bir konu\u015fma b\u00f6l\u00fcm\u00fc (chat box) oldu\u011funu farkettim. A\u00e7\u0131k\u00e7as\u0131 bir konu\u015fma b\u00f6l\u00fcm\u00fc olmas\u0131n\u0131 beklemiyordum \u00e7\u00fcnk\u00fc bu normal tiyatro hissiyat\u0131n\u0131n d\u0131\u015f\u0131nda kalan bir yap\u0131yd\u0131. Benim gibi di\u011fer izleyenler de bir konu\u015fma b\u00f6l\u00fcm\u00fcn\u00fcn olmas\u0131na \u015fa\u015f\u0131rm\u0131\u015ft\u0131.<\/p>\n\n\n\n

Tiyatroya Farkl\u0131 A\u00e7\u0131lardan Bakabilmek<\/h3>\n\n\n\n

Konu\u015fma b\u00f6l\u00fcm\u00fcne herkes k\u0131sa bir s\u00fcre i\u00e7inde ayak uydurdu. Oyun ba\u015flamadan herkes “iyi seyirler” yazd\u0131 ve oyun s\u0131ras\u0131nda her ne kadar konu\u015fma fonksiyonunu kapatabiliyor olsan\u0131z da ben kapatmay\u0131p insanlar\u0131n tepkilerini de takip etmeye \u00e7al\u0131\u015ft\u0131m. Oyun s\u0131ras\u0131nda asl\u0131nda olmas\u0131 gerekti\u011fi gibi neredeyse kimse mesaj yazmad\u0131. Herkesin dikkatle oyunu izlemeye odakland\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. Oyunun sonlar\u0131na gelindi\u011finde ise herkes oyunla ilgili fikirlerini, ele\u015ftirilerini yazmaya ba\u015flad\u0131. A\u00e7\u0131k\u00e7as\u0131 bir tiyatroya ger\u00e7ekten gitmi\u015f olsayd\u0131m oyuna bu kadar farkl\u0131 a\u00e7\u0131lardan bakamazd\u0131m. Konu\u015fma b\u00f6l\u00fcm\u00fc sayesinde herkesin oyundan \u00e7\u0131kard\u0131\u011f\u0131 farkl\u0131 de\u011ferleri, d\u00fc\u015f\u00fcnceleri g\u00f6rmek beni mutlu etti.<\/p>\n\n\n\n

\"Tiyatro<\/figure>\n\n\n\n

Oyun<\/h3>\n\n\n\n

Yeri gelmi\u015fken oyunun genel ak\u0131\u015f\u0131 ve oyuncular\u0131n performanslar\u0131 \u00e7ok iyiydi. Tiyatronun dijital olmas\u0131n\u0131n bir ba\u015fka avantaj\u0131 ise e\u011fer ger\u00e7ekten gitmi\u015f olsayd\u0131m oyuncular\u0131n jestlerini, mimiklerini ve performanslar\u0131n\u0131 bu kadar yak\u0131ndan ve yine farkl\u0131 a\u00e7\u0131lardan g\u00f6remezdim ki bunun da oyuna dikkat verme konusunda b\u00fcy\u00fck katk\u0131 sa\u011flad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n\n\n\n

Eser hakk\u0131nda merak\u0131n\u0131z\u0131 her ne kadar canl\u0131 tutmak istesem de, merak\u0131n\u0131z\u0131 artt\u0131rmaya y\u00f6nelik birka\u00e7 bilgi payla\u015fmak istiyorum. Eser kitaplar\u0131n yasak oldu\u011fu ve itfaiyecilerin g\u00f6revinin ise yang\u0131n s\u00f6nd\u00fcrmek yerine yang\u0131n \u00e7\u0131kartmak oldu\u011fu bir evrende ge\u00e7iyor. Eserin ad\u0131 –Fahrenheit 451<\/em>– ise kitap k\u00e2\u011f\u0131tlar\u0131n\u0131n tutu\u015ftu\u011fu s\u0131cakl\u0131k olan 451\u00b0F’tan geliyor. Umar\u0131m merak\u0131n\u0131z\u0131 artt\u0131rabilmi\u015fimdir. \ud83d\ude42<\/p>\n\n\n\n

\"Tiyatro<\/figure>\n\n\n\n

Salg\u0131n s\u00fcrecinde kendimizi geli\u015ftirmek, yeni kavramlar \u00f6\u011frenmek i\u00e7in kat\u0131ld\u0131\u011f\u0131m\u0131z onca etkinliklerin aras\u0131na birka\u00e7 “dijital tiyatro<\/em>” eklemeyi de ihmal etmememiz gerekti\u011fini d\u00fc\u015f\u00fcn\u00fcyorum. Biz insanlar\u0131n sosyal varl\u0131klar oldu\u011funu ve duygular\u0131m\u0131z\u0131n bizi as\u0131l insan yapan \u015fey oldu\u011funu g\u00f6rmemizi sa\u011flayan sanattan daha g\u00fc\u00e7l\u00fc bir kavram d\u00fc\u015f\u00fcnemiyorum. Duygular\u0131m\u0131z\u0131 anlat\u0131rken sanat gibi, yeri farkl\u0131 bir kavramla doldurulamayacak kadar \u00f6nemli bir yarat\u0131c\u0131l\u0131k \u00e7\u0131kt\u0131s\u0131na hayat\u0131m\u0131z\u0131n her alan\u0131nda yer vermemiz hem bizim a\u00e7\u0131m\u0131zdan hem de insanl\u0131k a\u00e7\u0131s\u0131ndan b\u00fcy\u00fck \u00f6nem ta\u015f\u0131maktad\u0131r.<\/p>\n\n\n\n

\"Tiyatro<\/figure>\n\n\n\n

Every child is an artist. The problem is how to remain an artist once we grow up.<\/p>

Her \u00e7ocuk bir sanat\u00e7\u0131d\u0131r. Sorun, b\u00fcy\u00fcd\u00fc\u011f\u00fcm\u00fczde nas\u0131l sanat\u00e7\u0131 olarak kalabilece\u011fimizdir.<\/p>PABLO PICASSO<\/cite><\/blockquote>\n\n\n\n

Sanat\u0131n b\u00fct\u00fcn g\u00f6rkemiyle hayat\u0131m\u0131zda olaca\u011f\u0131 g\u00fcnlere…<\/p>\n\n\n\n

Sevgiler.<\/p>","protected":false},"excerpt":{"rendered":"

Ge\u00e7ti\u011fimiz g\u00fcnlerde belki de salg\u0131n s\u00fcrecinde kat\u0131ld\u0131\u011f\u0131m onca seminer -webinar- aras\u0131nda beni i\u00e7ine en \u00e7ok \u00e7eken etkinli\u011fe (!) -tiyatro- kat\u0131ld\u0131m. Bir dijital tiyatro. Bu bir tiyatroydu, her ne kadar etkinlik demek istemesem de galiba \u00e7evrim i\u00e7i ge\u00e7irdi\u011fimiz s\u00fcre\u00e7 buna sebep oluyor. O y\u00fczden “dijital tiyatro” demeyi tercih ediyorum. Tiyatro > Dijital Tiyatro Biletlerimizi -izleme kodlar\u0131m\u0131z\u0131- […]<\/p>\n","protected":false},"author":1,"featured_media":421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,45,44],"tags":[38,39,37],"class_list":["post-417","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-sanat","category-teknoloji","tag-dijital","tag-dijital-tiyatro","tag-tiyatro"],"yoast_head":"\nDijital Tiyatro | Ari'Blog<\/title>\n<meta name=\"description\" content=\"Dijital tiyatro, ge\u00e7ti\u011fimiz g\u00fcnlerde salg\u0131n s\u00fcrecinde kat\u0131ld\u0131\u011f\u0131m onca seminer -webinar- aras\u0131nda beni i\u00e7ine en \u00e7ok \u00e7eken etkinlikti. 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